, May 8, 2015
These works are inspired by the human figure. Most of the panels are sardined together while others merely touch edges, creating an absence within the whole, or a break in continuity, as well as implying a further remove from the traditionally-shaped canvas. By working in this way, Kahn adds vigour by disrupting the painting’s surface; while the monochrome initially implies an insistent flatness, the dialogue between the adjoining shapes and their overall form creates a tension between surface, structure, and physical depth that remains elegant yet re-complicated.
Late Night, 2012