, May 21, 2015
Given the pervasive influence that photography has on our social landscape, it is no surprise that artists have taken the opportunity to fundamentally reconsider those terms by which the medium operates. One of the clearest responses has been a “sculptural” one, that is to say, an examination of material properties and the work of Thomas Albdorf fits comfortably within this rubric, though without being entirely confined to it. Indeed, to assert that this work is concerned with photography is perhaps to define it too narrowly. Although his most immediate subject is undoubtedly photographic, this does not mean that Albdorf is engaged in a debate about what photography can be in and of itself.